Author: Kadri Pärna

Swallow The Sun is a Finnish melodic death/doom metal band formed in 2000 by guitarist Juha Raivio. So far they have released 4 albums, 2 singles, 3 music videos and 1 EP that contains a song with the lenght of 30min. Their last album New Moon came out in 2009 and they have spent the last year touring.

Swallow The Sun also played at Tuska Open Air 2010 – so I got a great oppurtunity to interview them. The interview is a bit short due to the fact that it was conducted before their show and they didn’t have very much time. The interview is with the band’s guitarist and music-writer Juha Raivio and the bassist Matti Honkonen.

How have you been? How has been the summer for you?

JR: It’s been great. We’ve been doing few festivals so far and we’ve been playing Israel for the first time and we also played this big festival in France – Hellfest. That was fantastic. And Nummirock more up north in Finland. It’s been good and I have to say that after this Tuska gig we have a month long free time, no more gigs, and in fact I’m really happy about it.

MH: Yeah, a little break for us. Next month is going to be full of festivals and then a tour to US with Katatonia. So, it’s going to be a little break.

It’s great to have a month long break before the other long tour in the US.

JR: Yeah. When I was younger I was like – Oh yeah, it’s going to be a gig and now I’m more like – yeah, it’s not going to be a gig in one month. We love playing gigs and all the festivals but “New Moon” came about six months ago and we’ve been touring for almost 4 months now. So, it has been a lot of gigs. A little break is good and I’m happy that it’s the summer time.

How was the acceptance of the album New Moon? Are you happy with it?

JR: Yes.

MH: And it seems that the audience seems to like it. It’s all that matters.

JR: It’s definitely a bit different album, some new kind of things there. We always have little bit of new things with every album but still try to keep it sounding like Swallow The Sun. I’m really happy about the album and I’m happy how it sounds like. There are many good live songs.

Regarding the live songs – I’ve always thought about your last album Plague of Butterflies ; it’s basically a 30min. song. It must be pretty hard to play it live?

MH: Yeah, but we have done it here in Finland. But we don’t have that much time in festivals or if we are a support band in the US – we only have limited time. So we can’t play that live often. It’s a little bit of shame because we have done it in Finland and it works very well – one song that is 30min and then the show starts.

JR: But we usually play one part of this song. And I think we will play one part of this song even today but not the full song.

But at first when you started writing it, was it like a concept or a thought to write such a song or did it came naturally in writing process?

JR: It supposed to be a metal ballet. We got an offer to make music for a ballet and I was like yes, of course. They had used our music in their shows before also. I was like – this is a great idea. I can make this long story in this one song. It was ordered from us. But the ballet never happened, there were money issues at the end – surprise, surprise. But we got the music anyways.

I’ve always thought that your music would suit this kind of horror movie or something like it. What do you think about it? Would you want it to be a soundtrack to some movie?

JR: You know, somebody has been using our music in a horror movie or something like this. Many of our songs are set musically in a way that they’d suit on a movie. And actually the lyrics are also quite suitable. Many of our songs have this movie kind of vibe/feeling. At least for me.

What about performing in Estonia?

MH: Of course we want to play in Estonia. We want to go everywhere we can. Well, almost everywhere. It’s not always up to us – it’s up to the organizers and everything connected with that.

Talking about Estonia. Do you know any Estonian metal bands?

MH: Not particualry…

Maybe for example Metsatöll – also under Spinefarm records?

MH: Yeah, I’ve seen them live. We played with them in one festival in Vana-Vigala (Hard Rock Lager – annual metal festival in Estonia). I think it was Metsatöll. But I know we played with them. But I didn’t know they were from Estonia.

Yeah, they were recently signed with Spinefarm.

MH: Yeah, I’ve heard the news.

I’m really happy that Estonian metal is finally breaking out to Europe also.

MH: Yeah, of course, that’s a very good thing.

A lot of bands and artists have released their autobiographies. Will there some day be a Swallow The Sun biography?

JR: Yeah, it’s gonna be and it’s going to be two pages long (laughs).

What kind of bands are you going to see in Tuska yourself?

JR: Satyricon is playing right after us so I’m gonna miss it. But Devin Townsend Ziltoid Project – I’m really waiting for that. What else – of course Megadeth.

Regarding Megadeth. Did you see maybe the Big Four concert? It was brodcasted over satellite to cinemas everywhere?

JR: Yeah, I heard about it. But we didn’t see it. But it would have been great to see it.

So, thank you for the interview. It was great talking to you.

JR and MH: No problem, thank you

Satyricon is a Norwegian black metal band that was formed in 1990. Mainly the band consists of two members – Satyr and Frost. Satyricon are in a way an exception in black metal- they never cared for trends, for the latest fashion in how one is supposed to present oneself and they always abhorred the tried and tested genre stereotypes. The result is a notable career, spanning eight albums that always put the music first, often as a surprise and challenge to the listener. Satyricon’s last album The Age Of Nero came out in 2008.

They also played at Tuska Open Air 2010 and I had a great opportunity to talk with Satyr. Here is what we talked about.

So to start off, how are you?

I’m in a good mood today. I had a really nice time yesterday. This is an off year for the band. It was our second show this year and we don’t have any more shows scheduled. We made a decision in August (2009) to take a touring brake for 2010. We did only two Helsinki shows – one in February in MetalExpo and the second here in Tuska. They were booked before we made a decision to take a break in 2010. So, it’s nice for us that even if we are on a tour-brake we can still do a couple of shows. And when you do a couple of shows it becomes all the more important that the shows you give are very good shows. Yesterday it was a very vigorous crowd, real fighting spirit. I will leave Helsinki feeling inspired.

Your last album was out in 2008 – The Age Of Nero. How do you feel about this album now? Are you happy with it – commercially and music-wise?

For me it’s most important that I’m happy with it musically. Everything else comes as a result of this hopefully. If you make a good record and you do good tours most of the time it will result in good record sales. That’s nice. This record for example was our best selling record in some countries and overall the sales have been very good. Especially taking into account the Internet downloading and everything. I’m very happy with it but then again the most important thing is that we are musically satisfied with The Age Of Nero. Its commercial success is a bonus for us.

You have only one video from this album – Black Crow On A Tombstone. Will there be other videos maybe?

We did some live footage of “The Wolfpack” because we wanted to do a video for that. But I wasn’t really satisfied with the footage. For me it was a logical song to do a video for and I wanted it to be a live video as I felt that Satyricon is a good live band and the exchange of energy between our listeners and the band has become a very important part of the spirit of Satyricon. So, I wanted to do a video where you can see that and feel that. But I wasn’t happy with the camera angles and the footage and it was just the band on the stage. And for me videos like that are boring. I wanted it to be like you where there. For me it’s – if you can’t make it right then don’t make it. But I was very happy with the Black Crow On A Tombstone video.

And regarding Black Crow On A Tombstone – I read in an interview where you said that you got the inspiration for the song when you were writing and saw a crow sitting on a tombstone watching you. Have you had any other such obvious inspirations?

Yeah, many. My Skin Is Cold is based on a dream. What’s interesting about that is that basically in the dream I was hearing the song and I had not yet written the song. It was interesting because I was hearing a Satyricon song that did not exist. And I could hear the melodies and I could hear my own voice singing words that I had not written. I remember waking up that night 4 or 5 in the morning, it was a crazy feeling. Thankfully I was awake enough to understand that it was very important to write down all the words that I could remember and then I fell asleep again and the same dream continued. So as soon as I woke up I called – this was in Tokyo in an hotel room – one of our crew and told them to bring the guitar to my hotel room. And I started to try to play the melodies that I had been dreaming. And this was basically the essence of the song My Skin Is Cold.

Interesting experience.

Yeah, I like to think that these experiences make good stories but the most important thing is if you can use them artistically. For example with the Black Crow On A Tombstone – that was the same thing. It was a very bizarre happening because it was this crow sitting on a tombstone and if I would move somewhere it would sit there and it would move his head, turn away and as soon as I looked at it, it would turn back at me. So wherever I looked or moved it was always sitting still and its look followed me everywhere. It was very much like – I’m watching you. It was a simple thing but still very powerful because it didn’t feel like a coincidence because it didn’t went on like few seconds, it was more like 10min. Then I wanted to tell my colleagues what had happened but then I thought I could use this story artistically instead of just telling it.

I wanted to ask about the music writing process. Is it like you said – you get inspiration from somewhere and start writing or do you go to a studio and think – I’m now going to write something.?

We don’t really write music in a studio situation. It’s different. Sometimes it’s a bizarre thing like “My Skin Is Cold” but with other songs sometimes I could experience something – for example when I wrote “To The Mountains” for “Now, Diabolical” I was up in the mountains and I had spent some hours getting to the mountain top and when you get up there you can see many other famous Norway’s mountains – you look in one direction it’s that mountain or the other directions it’s this mountain. It was very impressive. And after I went back I wanted to write about something that gave me that grand feeling I had on top of that mountain. That’s very hard. But seeing all this made me make other stuff also gigantic.

So I thought let’s try to make a song that has the gigantic feeling that I was seeing and how the mountains made me feel inside. But other times it’s very simple – you just sit and play guitar and you just mess around and all of a sudden you have a melody. Then you think that’s cool and you start working on that. And there’s nothing special about it. It’s just a very good melody. So, it can be very complex or it could be very simple.

I’d say that Satyricon is not a typical black metal band, it’s a bit different.

I think we feel ourselves that we are a band that has chosen a certain lonely path. It’s kind of like – instead of walking in already stomped path we make our own path and leave a trail. That’s been the philosophy of the band. I feel like as we have done that. It’s my impression that the majority of bands and the music community around the world can like us or not but I know we are a unique band. And I also hope that we are an important band.

Whenever I hear Satyricon I can right away say that it’s you playing. Sometimes with other black metal bands you get a bit confused but you have a such a unique sound that I can say definitely that it’s Satyricon.

Thank you. Well, I mean that should be every artist’s goal to create a distinctive and recognizable sound that has your fingerprint on it.

I read somewhere that your album Volcano got the Norwegian Grammy for best “Best Metal Album”. How important are such awards to you?

Not important at all. I mean, the show yesterday with the way crowd responded – that’s the real world. Awards are more like a thing where business partners; colleagues and friends are like “congratulations” and other blablabla. And maybe for the record company sometimes it could be like a good sales argument. Maybe in some records stores – if they don’t want to sell your records, they can say that its records have gotten many awards. And maybe it could make them change their mind. It can help a little bit but for me artistically I know what it is – it’s like 4-5 people in a committee that will decide. And I think that there have been several times where we should’ve won or there have been times when we even weren’t nominated. And other times where we have won award for like something I think is just ok. I think that for any band the real reality check of where you are at is really on stage. If you don’t have people coming to shows that’s bad – but it could happen to any band if the show is badly promoted. But if you have only few people at the show or aren’t getting a response from the crowd then you are doing something wrong. Overall we have good attendance and people respond to our music in a favorable way.

When we do signing sessions like today a lot of the time it’s just people shaking hands saying it was a good show but for every five people there is always someone that will tell me that you’re music means a lot to me personally and you can tell if there are people who are not that shy people, more open people they can talk about how (in what way) it means something more to them. And so it is for me also – some music is enjoyable music but at other times music can almost be like a medicine for the soul and the mind. And for other people who want to be creative music is like art, same as painting or writing. Music can be an inspiration to bring out the best inside of them. I’m very conscious of the fact that our music can have strong impact on people and it’s an honor and I also look about it as responsibility.

Regarding the audience do you prefer smaller more intimate places or bigger venues like this festival?

Like most bands I’d say it’s both. It’s very simple – if you have your own gig everything is prepared the way you want it and you have enough time to prepare for the show. You’re inside, you get the full lights show and everything and you get to be more accurate and pay more attention to detail because you don’t have to do things so fast. All the equipment is yours. But if you play festivals it’s more rentals, like here. In your own show you get very close to the crowd, you know that everyone is there because of you. Then again at festivals, I think Satyricon is a band that is good at playing in the big stages. Sometimes it can be seen when a band comes on to a big stage that they are uncomfortable there. But we are a band who loves playing big stages. It’s not something we are afraid of, it’s more like – bring it on.

It was seen yesterday at your show also. I saw that all the people were going along with the music and were very happy at the gig. And were very satisfied with the gig.

I like a powerful crowd reaction. If you have a good festival like yesterday it’s more massive then a club show. It’s more massive, everything is louder, more people and more hands in the air.

Regarding the live shows I wanted to ask about Estonia. I’m actually from Estonia, not from Finland. And I know that Satyricon played in Estonia in 2006. Do you remember anything about it?

Yeah, I remember it quite clearly. It was far out in the forest and there was a river running right past. My main memory of it was when we were on stage and it got dark I could see the fog coming up from the river. And it was very atmospheric. I remember seeing that on stage. Sometimes in festivals you have a much better view than the crowd because you are on stage, you are higher up and if it’s in nice scenery you can see some special things. I had similar experience one year later in 2007 in Norway when we were playing at a festival near a big lake with huge mountains in the background. The crowd was watching the stage, I was on the stage and it was a full moon and you couldn’t see the mountain but you could see the shadow of the mountain and the moon sending the light down to the lake up to where people were standing. So it was like a good place to play black metal.

So, will you be performing in Estonia again?

These things always come down to the demand. Even if a band wants to come and play in Argentina but if no agent in Argentina wants to book the band then there will not be a show. That’s basically the way it is. Whenever we have offers coming in we are serious with all of them and as far as Estonia goes – we’ve only been offered to play there once and we did it. And since that we never have had an offer. If there is another offer, we’ll do as we always do – we’ll consider it and if it makes sense then we will come. So it really depends on the people who organize the concert in Estonia.

What do you think about the fact that black metal bands have gotten more popular in recent years? For example Satyricon, Dimmu Borgir etc. Have the people changed or has the genre of black metal changed?

I think that black metal has evolved. Good bands are able to evolve musically and to progress, not change but progress and be subject to evolution. I think the most important thing is – I can speak on behalf of our band only – we say that if we keep doing what we do and we do it well and again and again then people at one point will learn to like what we do. It’s like if you do something well and people see it once they can like it but forget about it but if there are enough good bands, good records and shows then more and more people will start to recognize it. The underground genres – like death metal was for death meal people, black for black metal people etc. have evolved because everything has become more exposed. Maybe some people who would only listen to bands like AC/DC and Motörhead start getting into Slayer or Slipknot or whatever. And then maybe they start listening to Morbid Angel or Satyricon or something like that. They make the next step.

Thank you so much for the interview!

You’re welcome!

Megadeth is an American heavy metal band formed in 1983 by guitarist/vocalist Dave Mustaine and bassist David Ellefson following Mustaine’s departure from Metallica. The band has released 12 studio albums, 3 live albums, 2 EPs, 26 singles, 32 music videos, 4 compilations and 1 box set. Megadeth along with Metallica, Anthrax and Slayer form The Big Four – four bands that were trash metal pioneers. Megadeth’s last album Endgame was released in 2009.

Megadeth will be playing in Haapsalu Castle in Estonia the 16 of July, and surely it is going to be a hell of a show! So for all the metal fans in Estonia, do not miss that one! Our collaborator Kadri had the chance to interview their drummer Shawn Drover some days earlier, while they performed at Tuska festival in Helsinki, Finland, and here is how it went:

How are you?

I’m good, thank you. And you?

I’m good also.

To start off – I know you’re playing in Estonia on 16th of July. Since I’m from Estonia I wanted to ask – do you know anything about Estonia?

No, absolutely not. If you want me to be totally honest then no. I’m really excited about going there. I’ve never been to Russia; I’ve never been to Estonia. Actually several countries in Europe I’ve never been to. That’s why touring is also really great – you can experience new places, get to see different countries. I’m really excited about it.

That’s great because you are playing in a very beautiful place.

Really?

Yeah, it should be an awesome gig for you.

Plus it’s the last show. So, it’s going to be fun and I’m really excited about it.

I saw your concert that was broadcasted through satellite. The Big Four concert. How was that experience for you?

Did you see it in the movie theatre?

Yeah, it was an interesting experience.

I’m sure it was, I’ve would have wanted to see it too if I weren’t playing. But it was fun. We all had a lot of fun. Of course during our gig it started to rain as crazy but still it was fun and we had a good time. And of course the big thing we did at the end (performing Diamond Head “Am I Evil?”). That was a lot of fun. And I think the whole thing was a really good experience for me and for the band. We had a really great time.

That’s great. It was seen that even through the cinema you were all enjoying yourselves.

Yeah, you can’t fake that. You can see all these metal bands with smiles on their faces so it was truly great.

What about your last album “Endgame”? How happy are you with it – musically and commercial wise?

We’re very happy with it. In terms of success – the way things are with the Internet downloading and stealing music it can’t be compared to earlier time when records sold platinum – times have changed. That’s the way life is and how the music industry is right now. Bands don’t sell as much as they used do which sucks but its (the “Endgame” album”) very critically acclaimed record, many people really love it, our fans love it. As long as we have fans there actually isn’t anything to worry about. And we get new fans every time. We just keep doing our best and hoping for the best. And the sales have been down for everybody. But I still consider this album a success.

I read that you are working on a new album and it should be out in 2011. Is that right?

We’re talking about it. We have been in a tour mode at the moment but we have started to work on a couple of ideas. But just very few ideas only. During a sound check we recorded a few ideas but we’re going to finish this world tour and then come together and start working out these ideas. We hope it will be out next year but we’ll see how things will go.

You have received many awards. How important are these awards to you?

Well, I’ve never gotten a Grammy award (laughs). I’ve been in the band for six years (since 2004) and we were nominated with the song “Headcrusher” but we lost that to Judas Priest. It’s cool to be recognized by the industry, it’s nice to have been offered awards, to have been nominated. We appreciate it a lot. It’s like 25 years later and Megadeth still gets nominated. So, I think it’s a really good thing. We just try to make good music with every record. People still like us after 25 years so we have to do something right.

You have been to Megadeth since 2004 so you have played mostly to bigger audiences. But maybe you have also played to smaller audiences. Which is a better place to play – to more intimate and smaller places or big audiences like this festival?

I think they are both good for various reasons. When you play at a smaller place it’s fun because you can pretty much almost see everybody and it’s closer. But playing like this festival is fun too because you can see all your friends and other bands. You know the Cannibal Corpse guys are here and we’re very good friends with them. They are all fun for different reasons. The Big Four stuff with Metallica and Anthrax was a lot of fun too.

You said that you are in the band since 2004. How did you become a part of this band?

My brother was in the band first – Glen Drover. They called me up and asked if I wanted to be a part of the band. And of course I said yes. It happened pretty fast, Nick Menza was brought back to the band and for some reason it didn’t work out and so they turned to me. But Glen is not in the band anymore; he got tired of the touring and left the band. So then we got Chris, which is great.

I read also that you play the guitar. Maybe you wanted to be a guitarist in Megadeth?

No, no. Not this band (laughs). This band is way too hard for me. But I did write the song “Headcrusher” with Dave on the guitar. I’ve been playing guitar for years. But I’m not that good to be a Megadeth guitarist. So, I’ll stick to the drums.

Regarding the guitar – many Megadeth songs are featured on Guitar Hero. Have you played Guitar Hero yourself?

No. I suck at that stuff. I’m not good at those games. My son actually is really good at it. But I think it’s cool for kids to get into the music and also a new way of people getting in touch with our music. That’s a good thing if they go and buy the Guitar Hero and actually they are buying our music also. But I’m not good at that and I’ve never played any Megadeth stuff.

I once saw a clip where Arch Enemy’s Michael Amott tried playing his own song in Japan on Guitar Hero and failed.

Yeah, it’s different. It seems that the kids know how to do it but we fail so we let them do it (laughs)

Megadeth is famous for it’s political lyrics (some songs). But how do you feel about politics? Are you interested in politics?

No. Dave’s very intelligent in very different ways and he’s very educated with politics. He writes about many things he knows and politics is just one thing. He’s very educated, very smart and he writes good lyrics. Every time we have a song, the lyrics are very good. Politics is a cool heavy metal thing to write about. It’s good to write about many things not just one subject all the time.

Many artists and bands have released their official biographies. Megadeth doesn’t have an official biography. Could it happen one day?

There is the “Behind The Music” that is on VH1 in America but it went only until 2001. So much has happened after that so I think that at some point the whole story should also be told. We haven’t done that yet – this year has been very busy, we’ve been touring, then the Big Four thing and we also have a DVD coming out and also new record coming out so we haven’t had the time to think about it. At some point it would be nice to do an official video-biography from the beginning until this day. I hope we do that some day but right now we are quite busy. There are a lot of interesting things to talk about.

Did you have time to see some band here at Tuska?

No, we just flew in and pretty much just got here. We saw W.A.S.P for like 10 min. But overall we’ve been here like an hour. But after we are going to see Cannibal Corpse play a bit and afterwards we get on stage. Festivals are weird in a way – sometimes you have a lot of time but other times you have less time, like today we have 2 hours until the gig and we have to practice, do interviews and stuff. It sucks sometimes.

Isn’t it tiring sometimes? Like now we are also doing an interview.

Nah, it’s not. It’s part of what we do. It’s part of spreading the word, it’s part of our job. And I love doing it anyway. It’s better than being a construction worker. And it’s good for the band – fans see that we talk about our stuff openly. I think that interviews are always good because it helps to get the word out and contributes to people coming to our shows. It’s communication and it doesn’t bother me at all, I enjoy it.

I think that nowadays the live shows are important because your music gets more attention than only with the records (with all the Internet downloading and stuff).

Yeah. But the Internet is good for many things also. It’s good to get the word out. You can put this interview to Blabbermouth and the whole world can read it.

Thank you so much for the interview!

No problem. Thank you.

Pictures by Kadri Pärna taken at Tuska Festival.

Tarot was originally formed by the Hietala brothers in the early 1980’s. Their first single Wings of Darkness saw light in 1986 and during that same year they released first full length album titled Spell Of Iron. Tarot has been active for over 20 years and now they released their eighth studio album called Gravity Of Light. The band describes their new album on their web page as the following: “The album feels like meeting an old friend. Some things are the same but your friend has gained weight. He shows new scars and tattoos. The beard is longer and he projects a meaner and faster temper. At the same time there’s still a big heart at the center. When you heard Gravity Of Light you will believe.”

And I was so lucky to get an interview from Zachary Hietala – founder, guitarist and music writer from Tarot.

Your eighth studio album titled “Gravity of Light” is due out on April 23 in Europe. How is the new album different from your other albums?

In my opinion, it’s combination of FGON (For The Glory Of Nothing), SOP (Suffer Our Pleasures) and CFB (Crows Fly Black) albums. It has progressive edge, put down heaviness and super melody. The best this far.

In Finland it was already released on 10th of March. How has the acceptance been? What have been the reactions so far?

We took second place on the official Finnish top 40 charts… So there’s something to go for the next album… he he! Reactions from the fans have been quite fine, so hardly can wait to play the new songs live on stage.

Was it a hard album to make or did it come quite easily?

This album was the easiest album ever made. We got demos and everything together so easily, compared to few latest albums somehow. We just put up my, Janne’s and Marco’s ideas together, and everything was there. We let the Pecu and Tommi train with the demo tracks and then went to studio to record the album. It went without problems, just few times our Macs crashed, but that’s normal shit with computers.

On March 31st starts the “Gravity Of Light” tour. What are your expectations regarding this tour? Will you be touring outside of Finland also?

Sold out gigs of course… he he! First we do three weeks touring here in Finland and then we are doing some gigs in Russia, Japan, USA and Mexico. More South American gigs as well as European gigs are on their way, but cannot tell more this far, sorry.

I understand that you, Marco and Janne are doing bits and pieces of your own and then you introduce the parts to each other and put things together musically. But who of you writes the lyrics? Is it also a “group-effort” or is it clear from the starting point that for example you or Janne writes the lyrics?

Marco does all the lyrics, surely I read them all, but he knows the stories what to tell and what makes a good story for the songs, so I don’t need to change his ideas at all lyrics wise.

Who did the artwork for this album?

Toxic Angel is his artist name, Janne Pitkänen has done all the cover work for us since Suffer album. Surely he is a great artist indeed.

Where did the main inspiration for the songs come from? From your own lives, society in general, history, literature or something else?

We just let it flow… For me, I don’t need specific mood or don’t try to find something, I just play and when something useful is coming out from the fingers, I put it on the hard disk. Later me, Janne and Marco will put the ideas together, the old story…

Can we expect a video to a song from the new album? Maybe for I Walk Forever?

Surely… Tommi and Marco did the video of I Walk Forever in Cairo Egypt, they shot some camel riding, singing by the pyramids, wandering in the desert and so… I’ve seen some splits of the video and it was terrific and great, hopefully it will come out soon.

I know that Tarot is performing at Tuska Open Air (annual open air festival in Finland, Helsinki) which is very awesome but what are other plans for the summer? Where else could one see Tarot live?

You will find us from almost every worth mentioning festival here in Finland. We are playing on more than 10 big festivals, to mention just a few like Sauna Open Air, Tuska Open Air, Ruisrock, Nummirock, Ilosaarirock and so on.

Will you do another live DVD like “Undead Indeed”?

This soon, why should we? It just came out last summer; I think we should do some studio records more before the third live album.

Tarot has already done eighth studio albums. What is your favorite out of these? Which one was the easiest/the hardest to make?

Always the newest one is the best, before you get some time between the release date and then you can listen to it objectively. If we don’t count the GOL (Gravity of Light) album here, in my opinion “To Live Forever” is the best because Janne was there in the first time and it changed our style to the way we are still on.

GOL album was the easiest to do for me of all Tarot albums somehow. I got the riffs, bridges, solos and so together easily. Hardest was surely Stigmata,we got so many problems and shit, this interview has not enough space to put all out… he he!

If I mention a few shitty situations – When I needed to start my guitar parts, I was so drunk at the party that I went through a glass door. So my right hand was cut badly and I couldn’t play in several months. Right after my hand was ok, the mixing desk broke out and the repairing of the mixing desk took a couple of weeks. When it was repaired, Marco got some serious lunge problems, like tuberculosis and almost half of liter water in his lungs, so he couldn’t sing in the next year and a half. And this was just a start… It took almost year and a half to do the album and when you listen that album, you can hear the pain behind the songs in the atmosphere.

What is your favorite Tarot song to play live?

Definitely Warhead. Pure metal with the progressive edge and beautiful melody.

I was so drunk at the party that I went through a glass door

What is your best live performance? (Name one that you’re in the performer role and one you’re in the listener/fan role)

2009 Undead Indeed winter tour had so many brilliant events, so cannot say which one was the best, but there it was. As a fan, there are so many, but Michael Jackson’s 1995 Dangerous tour at the Gröna Lund stadium and Rammstein in Provinssirock 2005 are on the highest places in my book.

Your brother Marco is playing in Nightwish and sometimes it takes up most of his time. Does it bother you that sometimes you can’t play shows or rehearse new songs because of Nightwish?

Not exactly. I can perform the songs, as much as I need, without Marco and me, Tommi and Janne have our hands full of different projects as well. Me and Janne are doing Marenne and I do producer work fo rnewcomers, Janne is playing with Turmion Kätilöt and Eternal Tears Of Sorrow,Tommi does vocals for the different groups and I do have a day job, so enough work indeed.

On Tarot official web page you have listed a band called Marenne as a side-project. How are things with Marenne? Are you still active?

Hopefully yes…Now I’m so busy with Tarot and of course Marenne is doing new songs, so when I get my summer vacation, I do Tarot gigs only at the weekends and then have free time during the week to put down the new ideas for her and for the future. If everything goes as planned, we can demo the album this year and release it next year, but that’s just the plan yet.

On a personal level I read that you’re a youth instructor and music teacher. How did you become involved with youth work and teaching?

I did my 12 month civil service, instead of the army, back in the early eighties in the rehab sanitarium. That made me to get educated on this kind of profession and I’ve been in this field of work more than 20 years now. Mostly I work with teenagers between the ages 12 to 18, who have problems with controlling their lives by different reasons. Music wise, I learned musical theory by myself and I’ve been a teacher for the 8th and 9th grade students of comprehensive school, as well as given personal guitar lessons to advanced young players for years.

A lot of bands that have been active for many years are releasing their biographical books. What do you think about it? Can we maybe expect a Tarot biography in future years?

Big noo… hehe! Surely I like to read them, but never ever would want to read my life between the sleeves. My mother and father still live and I don’t want to humiliate them. Wild wild eighties….

I must also say that I totally liked you song Antz on the Guitar Heroes album. Will there be a Guitar Heroes 2? Would you be willing to participate in such a project again?

That was very interesting project and if there’s the place and need for the second album, I will be ready for it, if the producer people ask me. “Antz” was made in the way of the eighties guitar solo albums and ‘cause I knew all the guitarists of project, I wanted to something different, to get noticed. I didn’t do as many notes as they did, but I surely had melody parts and enough fast playing to get my speech done memorable and stand out from the other players.

Which band do you think is the “father or mother” of heavy metal musicin general?

Black Sabbath.

There is a new documentary The Promised Land Of Heavy Metal. It’s exploring why Finland has become the country of heavy metal. What do you think is the reason that heavy metal is so big in Finland?

Long cold winter, you must be aggressive by that, heh!

Are you glad that heavy metal has reached a wider audience or would you prefer it still to be more “underground”?

I prefer wider audience, you can make the living by it. If I’m correct, what is the point to do music, if there’s no audience or buying crowd? None.

Since I’m from Estonia I can’t help but to ask – do you know any Estonian metal bands? Maybe Metsatöll?

Yep, I know their music, but don’t know the guys personally; maybe we meet at the festivals and have a good party?

How would you describe Tarot to someone that maybe doesn’t know anything about you or has just discovered your band?

Foundation stone of Finnish heavy metal.

Any last words to the fans all over the world?

Hell knows, Satan is dead, rise all the Tarot fans!
Yours Zachary/Tarot

“Gravity of Light” came out in Finland on March 10th 2010 and will be released in Europe on April 23rd 2010.

Tarot is:

Zachary Hietala – guitars (other bands: Marenne)
Marco Hietala – bass and vocals (other bands: Nightwish, Sapattivuosi)
Pecu Cinnari – drums
Janne Tolsa– keyboards (other bands: Turmion Kätilöt, Eternal Tears Of Sorrow, Marenne)
Tommi Salmela – vocals and samples

Find out more about Tarot:

1) Official page: http://www.wingsofdarkness.net/php/index.php

2) MySpace – http://www.myspace.com/tarot

3) Facebook- http://www.facebook.com/pages/Tarot/103349573037536