Category: Music

Tarja Turunen is undoubtedly one of the most popular Finnish singers worldwide. This current year 2011 has been very special for her, with the release of her second official solo album What Lies Beneath and a chain of great collaborations and perfomances in a heterogeneous array of festivals around the world, having the cherry on top of the cream with the appearance together with the Brazilian metal band Angra at Rock in Rio festival. We reached Tarja who kindly explained to us more about her brilliant past, her brilliant present and her exciting future as an artist!

-Hello Tarja and first of all, thanks for being so kind to answer the questions!

Hi! No problem at all. Pleasure.

-You have had a pretty hectic summer. What of your concerts and appearances is the one you will remember as the highlight of the season?

I just wrote few days ago in my official blog that this summer was the best summer in my career so far. I had the opportunity to perform in several different kinds of concerts and jump into many new challenges, which I always love to do. To choose the best out of these it’s hard, but I feel that the concert with Mr. Jose Cura in Savonlinna´s Opera Festival, Finland was the exceptional one. It required a lot of work and preparation, but it was such an honor to sing with Cura.

-You are the first Finnish artist reaching gold record in Germany both with a band and with a solo album. What do you consider that are the biggest advantages of a solo career? And on the other hand, is there anything you miss from your period with Nightwish?

I would say that everything is different when it comes to having a solo career than in being a member in a steady, already known band. I had to find my own wings in the world of music in the beginning and it wasn’t easy, but I am so happy I went through all that. I definitely feel more comfortable right now than anytime before. The freedom I have got to choose the people to work with, to write and produce my own songs is unbelievable. There are neither boundaries nor frontiers that I need to fight with…. nor egos, because basically I am making decisions for myself! And no, I don’t miss anything particular from my band years.

-They usually say that for an artist, the second album is the most difficult one to put together if the first one was a success. Was that the case with What Lies Beneath? How would you compare it to My Winter Storm?

Not that is common, but my first record My Winter Storm was the hardest one for me for sure. After being in a band for 9 years and not having composed one single track before on my own, I went through a rollercoaster of feelings and challenges with the first record. I managed pretty well even though during the production happened things that made me constantly nervous. For example the fact how I needed to make all the new people around me, including the record label, producer and musicians, understand how I wanted my music to sound and who should play what and why. My Winter Storm was a huge learning process for me as an artist and also as a woman, since I faced several new challenges with it, but I loved all of it. In the end I can only say that I took a great step into unknown, meaning by this, to myself. I don’t have any regrets.

My second album What Lies Beneath sounds more secure and mature, so I cannot say I was having a hard time with it. Actually the whole process was such a fun time for me, since I even ended up producing it myself. I guess this tells a lot about my will to develop myself as a musician constantly.

“I don´t miss anything particular from my band years”

-You are really a versatile singer; you can both perform in an Opera festival like recently in Savonlinna or please a hardcore heavy metal crowd. Being the audiences so different, where do you feel more comfortable on stage? Do you prepare yourself mentally in any different way before going to the stage depending on the venue you perform?

As these styles are extremely different, also my preparation for them differs. I am definitely still more nervous in performing classical music, since I had not done it professionally before my career in rock started to bloom. Before a classical concert I do some breathing exercises and vocalize much more than before a rock show. I need to be sure that I can give my best from the start.

Also mentally my concentration is 100 % focused in thinking the technical parts of the program I am up to perform.It took me several years to learn how to use my classically trained voice for rock. I kept on taking lyrical singing lessons in the University and tried out different things before everything just clicked and I felt that I’ve found my way. Anyway, still today I keep on taking singing lessons privately because I feel it is vital for me. I feel very comfortable where I am today as an artist because I love singing rock and classical music. In rock I can have fun, do whatever I feel in the moment and just go with it. I love seeing the crowd excited about the performance and the people truly gives me a lot of energy.

-Being one of the most international famous Finnish artists, you spend a lot of time outside Finland. Because this publication is read by many foreigners, what is what you miss the most from your country when you are out, and what are your favorite places or activities to do when you are back in Suomi?

Finland is the country of incredible silence and the space of living. It is so easy to fall asleep in Finland! No sounds of traffic, or people, maybe you hear only mosquitoes in the summer time! When I return to Finland, I usually go to meet my family in Northern Karelia, because I miss them the most when I am away. That means a lot of laughing, cooking, sauna going and enjoining every minute giving to us. I also love to go out for a run in countryside of Finland, if the weather is suitable for it.

-If I am not mistaken, you are planning to release a CD/DVD at the end of this year from a live performance in a Christmas concert recorded in 2009. What can you tell us about this project? Is there any specific date of release set?

The CD/DVD is a live recording from one beautiful Christmas concert HARUS made in Sibelius hall Lahti, Finland in 2009. We haven’t done any overdubbing nor recorded anything again, so it is a real live performance. I wanted to give people the chance to listen and see what HARUS is all about. HARUS is the name of the line up of Finnish musicians including organist Kalevi Kiviniemi, guitarist Marzi Nyman, percussionist Markku Krohn and me. We have done concerts together since 2006, but having this first CD/DVD release opportunity now in hand, we wanted to give a name for the line up. HARUS is not based on only Christmas music performances, so you will hear us doing something else in the future too. Unfortunately, I have not been informed with the exact date of the release of the CD/DVD yet.

“I dream of sharing stage with Peter Gabriel”

-To put the cherry on top of the cream to the summer gigs, you are going to join Angra on stage in the huge Rock in Rio festival in Brazil. How this collaboration happened? Did Angra offer you to join them.. (Did you know them beforehand?)?

It is rather incredible to be able to stage Rock in Rio this year! I have known the members of Angra for quite many years already and even worked closely with their guitarist Kiko Loureiro on my first record. I was very happy to receive the invitation to take part in their show in Rio, so I immediately said yes! It’s going to be so much fun to perform together and to meet my beautiful Brazilian fans.

-Can you tell us a bit more about how many songs you will sing with them together during Rock in Rio, and if you have previous experiences with Brazilian audience?

I am invited as a guest vocalist in Angra´s show, so I will be performing only few songs. I have been lucky to have several shows in Brazil before on my own. Not only rock shows, but also classical concerts. Brazil is a huge country and I have been able to see quite a lot of it through my visits. I also have important fan clubs in Brazil who are very actively supporting me.

-Is there any other artist of band you would really dream of joining on stage to perform together?

Peter Gabriel is my hero! I just adore him, that’s all. He has the voice, the charisma, the amazing career…all of us need to have dreams, right?

-After these busy months, will you take a break, or what are your future plans for the rest of the year?

Actually in the meantime I am practicing already for my first classical album recordings that are going to happen in the end of November in Finland. It is going to be an Ave Maria album. I will be singing along with organist Kalevi Kiviniemi whose idea this album originally was. It is a huge challenge for me, but I feel comfortable with the theme of the album. I have always loved to sing Ave Marias and now I feel that it is time for me to give my voice to few of them.

Right after the recordings I will have a long Christmas concert tour in Finland in December. When this tour is over, it’s time for the Christmas itself and that I will be spending with my family in Finland, hopefully with lots of snow!

-Anything you want to add for the readers?

I just want to say thank you for the amazing support you’ve been giving me through many years already. I really appreciate that. I hope that I can give a little bit of love back to you with my music.

With love, Tarja

Tarja Turunen & Angra. Rock in Rio 2011

Musical resurrections are possible, and if you do not believe it, just ask Michael Gira. After 14 years having parked the cult rock band Swans, he announced months ago in Internet that the band was alive again and ready to tour, releasing a new album My Father Will Guide Me Up a Rope to the Sky on September 2010.

For ecstasy of old and new Scandinavian and Baltic fans, Swans will be visiting Finland playing at Klubi the 10th of May and Tavastia one day later, the 11th of May, jumping later to the other side of the Baltic Sea to play in Tallinn, the Estonian capital, the 12th of May, and FREE! Magazine had the chance to hold an exclusive interview via Skype with Michael.

I was a bit scared, having listened and watched previous interviews, of the sharp mood of Gira, but actually I must say that during most of the interview, he was in an excellent mood, only partially worsened when mentioning the damage that illegal music downloading is doing to his record label. All in all, Gira is a fascinating character that, as a true genius, just builds his own path, do things the way he wants and says things just as he feels them. Enjoy the interview!:

Thanks for attending us Michael! The first question is the same that I suppose many people around are wondering themselves. After 14 years of hiatus, why to resurrect Swans?

Well, it was a very selfish artistic decision. I had been working with this other group, Angels of Light, for all that time releasing records, and then I did not know how to proceed with that, I got all the blood out of that. Along the way, I had wanted to experience with more total sonic music again, you know, like loud volume and overtones. So I decided to start again Swans, and as soon as this happened, the flow of ideas started to come over again. I am an artist, so I have to be doing something new and challenging to myself or else I feel like I am dying, so it turned out that this band I had had for so many years was the way to move forward again. And that is what I did!

The writing process was quite long wasn´t it? You were working on these songs for 2-3 years.

Yes, I presumed that many would be Angels of Light´s songs. But when I started thinking how to orchestrate them and record them, it was not exciting to me. As soon as I thought of them for Swans, it was a different mindset, everything opened up and I wrote a couple of songs specifically for The Swans then after that. The record you could say that it is kind of a transition between Angels of Light and going back to The Swans. It has my entire story in it, but it also has new players I started to work with again, so it added a tremendous amount to the whole process.

And actually for gathering the money to record this new record, you had the idea to sell a 1.000 copies limited edition of the album I am Insane. Did you gather enough funding to work as you wanted, or did you face constrictions?

Once I got the money after the great fans bought this special project, I started recording and of course I was over budged and I had to collect money again, hehehe! As usual the money run out and the time run out and then the record is finished because of that! Hehehe I found it difficult to stop once I got involved with the recording process and the mixing and the overdubs. All the possibilities are always endless. If I have an appetite for sound, is hard for me to say that something is finished. I would work on it forever if I would have limitless money, probably!

So you never see that the “new child” is totally ready to be born…

Of course. The way I see records now is that they are just one more stage in the whole process. It starts when I pick up my acoustic guitar and I start to play thinking about chores and songs and imaging all the people playing and how it would sound, how to make it electric, and finally becomes a song or a template for a song and I send that to my friends, and they have ideas, and we get in the studio. We start working and it changes totally again, and becomes something on its own.

And even during going on tour, there is an evolution with the songs, right?

Yeah, everything is changing. It is constantly changing, and it should. Otherwise we would just be another stupid pop band, and that is not what we are. We have a lot of new material now. I think we are going to record this summer, in July, in Berlin, a new album. As the tour is going on, we are developing new materials.

I have to be doing something new and challenging, or else I would feel like I am dying!

And what would be the direction of these future albums for Swans?

The band has been around for a long time, and it has evolved quite a lot. It is going more in the sonic direction. Less word oriented. There are some songs with words, right now I just got a song that I think it is going to be orchestrated in this “country psychedelic” way. Gentle and quiet, but other songs we have been doing are very propulsive rhythmically and very long, they go over 20 minutes and more sonic oriented. I think the new record will have a lot of variation on it, sometimes pretty and quiet, and some other times more sonic.

How has your attitude evolve through the years? Are you still the same wild young boy? For example, you still have “punch on your face” lyrics and titles for songs like “You Fucking People Make me Sick”?

Well, I have never complained about the world around. For example, that is a complicated song. It was written when I was making a big sonic piece out of loops, a kind of collage, and I went on with my acoustic guitar, playing while distractedly looking at internet, at a music website, and I started writing imaging myself as a murderer or a rapist, just stalking and killing fashionable young people wearing corporate clothing. I am not saying it is me, I was only writing from that point of view. Then, when I was singing it, I realized that I sounded like my good friend Devendra Banhart. So I called him and he accepted to sing it, so all the thing made sense.

So you had a good relation with Banhart beforehand?

I produced Devendra´s first 2 albums, and released 3 or 4 of his records on my label Young God Records.

And how was the experience of having your daughter collaborating there too?

Oh well, you know, she is 4.5 years old, so she did not really know what she was saying! hehehe.

You are visiting Finland soon. Have you visited here before? What are your expectations when visiting here?

Yeah, I played solo actually years ago, in Helsinki and in Tampere. I enjoyed it. The Finnish people are problematic, as you know! hehehe. They are much removed, reticent, they do not like to talk, so being American, and it was funny. Actually in the last Swans tour, this band Panasonic was opening for us. I liked them a lot, but there would be these moments when as an American you talk, and they were just dead silence. A funny story is that when we first met, they were waiting for us in Amsterdam, in the tour bus. They had been there for a couple of days, and when I arrived I just asked “Hey guys, how are you doing? Are you having fun?” and they just said “What do you mean “fun”?” Hehehe. That is my impression of Finland! It can be 50 men sitting in a bar, and they do not talk, just looking down.

Michael, this tour actually is planned to last pretty long, right, around one year and a half?

We started the tour in September last year, and looks like it is going to go till October this year, and maybe some short things after that. So we will record some material in Berlin in July and then some more material in September again. And then I will have to be working on the new album, mixing it, adding overdubs and all that. And then later, in 2012, the new album will come up and it will be a kind of a 30 year anniversary album. We are working on new material as we tour, so we almost have the whole record. In the set we are playing now, there are 2 new songs, one about 15 minutes long and one about 30 minutes long, and there is a couple of instrumental things which I think they are really good and they will be in the record. Now I am working on a couple more of acoustic songs. It will be a long album with a lot of sonic variation. Very intense, much different than the one we just did, more focused on the sonic side.

Being The Swans also a band well known for giving the best at live performances, have you thought of releasing a live album?

Yeah, we are recording every show, so for sure we will do a live album.

Many fans must be wonder also about your relation with the ex member Jarboed. Do you keep in touch with each other? Would there be any chance of a re-encounter with the band?

No. We keep in touch somehow, but you know, Jarboed was very important for the group, but the reason she was in the group is that she was my mate. It was not that I was looking for a keyboardist or someone to sing female vocals. It was that she was there and I started to think on ways of adding more dynamics and variations. Jarboed could sing, so we had this primitive keyboard, and she was playing these chunks of sounds, and then she started to sing. She added a lot, no question about that, but once the relation ended, there was no point for that anymore. These songs do not call for any female background vocals. This is a new thing and I am moving forward. Some people are not happy she is not in it, but fuck them! I do not care. This is my work!

How was in the past, being a couple and working together?

It was always an argument! hehehe She would not be in the mixing, she would be in the studio and she would do her parts, and then she will be gone and the record would go on after that. But we fought all the time! Ask anybody who was on tour with us, it was hell! I remember once we got upstate, I think somewhere in Sweden, and in the dressing room there were all these people from the press, from big publications because Swans was flying high at that time, and I was just telling about changing a part of a song when she walked into the dressing room, and she was went “You fucking bastard!” and picked up a big bottle of wine and threw it as hard as she could to me! It smashed all over the dressing room!

Romantic, eh!

Hehehe. All the journalists left, of course! That is how touring with us was. I do not want to go back to that. I mean, she is great, but it is like two pieces of sand paper rubbing against each other.

Some people are not happy that Jarboed is not in the band anymore, but fuck them!

For you, owning your own record company Young God Records, what is your view about piracy and illegal downloading nowadays?

Well, streaming is fine for me; I have no problem with that. It is like reviewing before buying. But downloading is a total different thing. Of course I have a problem with people stealing my music. I am a bit sick with the discussion. Many young people write in my Facebook page that it helps me, but it is the opposite, it damages me incredibly, in fact I don´t know if I can carry on with my record label because of it. I have brought great musicians to wider audiences; it takes great effort, time and money. And people the just fucking take it! So I am closing down the record label!

In the eighties people recorded cassettes and sent to each other, that is a total different story than now, when it is massive. When they say, “Oh I will buy it later”, yeah right… Maybe only one out of ten persons buys it later. Then people propose that I could tour more, but then, with all the artists touring more, the market is over flooded. There are only a couple of big artists who really make good money out of it. So I don´t know what is going to happen…

Well Michael. We can see you are going to be very busy for the rest of the year touring and working on the new album. Is there anything else that you want to add for the readers?

No, just looking forward to coming to Finland and seeing you all there!

Swans Myspace:

http://www.myspace.com/swansaredead

Review of Helsinki gig at Tavastia coming soon!!!

Irish musician Steafán Hanvey feels in Finland like being at his second home. Nevertheless, during his bohemian life, he has spent a few years in the Scandinavian country making friends, playing gigs, and finding always new challenges. So when we sit with him minutes before his gig at Semifinal, he is just a relaxed easy going man transmitting the feeling that he enjoys what he is doing. As good Irish, he is holding a glass of whisky, and when more pints of beer join our table, it is about time to have a chat about his interesting life and musical career:

Thanks for your time Steafán! Basically, you were born being a musician. Your parents were also musicians, right?

Yes, my father was a banjo and guitar player and my mother is a singer and a plays also the bodhrán, the traditional Irish drum and stick, she taught me how to play that. My father interviewed a lot of famous musicians and took a lot of photographs of people visiting around; so it was normal to be around people who were involved in music.

And you happen to have been quite a nomad in your life, don´t you? You have lived in Seattle, then in 1995 moved to Helsinki… Why the decision to come here first time?

Yes, I have been some kind of a gypsy. I was in USA as exchange student, I chose Seattle because I was interested in the place, it was an opportunity to study American society; a good opportunity for me to be there so I studied at University.

And how did it happen to come to Finland?

I met a Finnish girl in 1993, actually she came to me like “hey, you are that Irish guy!”. I finished my degree and then came here. So I came to Finland to study and started to play in the bars and get to know people around in the Finnish-Irish community.

Sometimes, being Finland a small country, can be difficult to break through the right circles. Did you feel that at any point as a musician here?

I got you. The first year I was mainly singing in traditional bands, playing at the Irish pubs, parties, some art galleries and then I started writing my own stuff. I felt that if I stayed, I would have become a big fish in a small pond. I would have been known like that Irish guy singing in the bars in Finland. I am not saying that I would not have become a success, but I wanted to try in other places.

Many of our readers are interested in Finland as a possible destination to move in. What was your response when you arrived here?

I like Finland. When you make friends, you make true friends. I still keep some of the friends that I had when I first came here. I also hosted a radio show in Lahi radio. It was a kind of progression for me, it came naturally to do. I had a lot of things to do, but then I felt a bit stuck, and I needed to go and decide what music to play. But it has been a good journey, I had very interesting periods with very interesting people I had the chance to play with. I feel now that I am more ready to take my music in front of an audience than I have ever been, more mature.

And both nations, Ireland and Finland, have fame for their hardcore drinking habits…

Yeah, hehehe. Hard drinking here and in Ireland! I cannot keep up with it anymore, I used to do it for years, but now at my age, it is different. The same about smoking, I quit.

I feel now more ready to take my music in front of an audience than I have ever been

What can you tell us about your new incoming album, “Nuclear Family”? Are there differences with the previous one, “Free”?

It is an album that introduces more of a band, there is more upbeat. Overall, it is a more compact album. Maybe with the previous one, I felt like “let`s see what I can do and what I can´t”, because of course in the first album you want to show all the people what you can do. But with the second album, I just create the record I like. Much more relaxed. I learnt a lot from the first record, I worked with great people, but in this album I have got to work with Tore Johansson mixing the album (who worked with the Cardigans) or with Mandy Parnell mastering it (who has worked with Sigur Ros). It is great to have those people working on your music.

And you also have friends like Liam O’Maonlai collaborating on the piano and vocals, right?

Yes, Liam came to Paris! And also Bertrand Belin, who played lead guitar on one song.

You also have played in USA quite a lot…

Yes, I have played there a few times. And I have some gigs scheduled for March-April in Boston and maybe in Chicago too. Let´s see how long I can be there.

The presentation of your first album was also here at the same club, in Semifinal, some years ago. How do you feel coming back?

That day there was a terrible snow storm. Thanks god today we are luckier. That day some people got stuck in the buses, and had to walk to reach Semifinal! Let´s see how it goes today, I have no idea really! If I play during weekdays, people complain that I have to put it together at weekend. But if I play on Friday night at 11:30, they complain that it is too late! Hehehe

Anything you want to add for the readers?

I want to add that thanks to everybody and also special thanks to the musicians playing with me, great guys, Neff Irizarry on the guitar, Nicce Lindholm on the drums and Jukka Jylli on the bass.

Steafán Hanvey & The Honeymoon Junkies

Swallow The Sun is a Finnish melodic death/doom metal band formed in 2000 by guitarist Juha Raivio. So far they have released 4 albums, 2 singles, 3 music videos and 1 EP that contains a song with the lenght of 30min. Their last album New Moon came out in 2009 and they have spent the last year touring.

Swallow The Sun also played at Tuska Open Air 2010 – so I got a great oppurtunity to interview them. The interview is a bit short due to the fact that it was conducted before their show and they didn’t have very much time. The interview is with the band’s guitarist and music-writer Juha Raivio and the bassist Matti Honkonen.

How have you been? How has been the summer for you?

JR: It’s been great. We’ve been doing few festivals so far and we’ve been playing Israel for the first time and we also played this big festival in France – Hellfest. That was fantastic. And Nummirock more up north in Finland. It’s been good and I have to say that after this Tuska gig we have a month long free time, no more gigs, and in fact I’m really happy about it.

MH: Yeah, a little break for us. Next month is going to be full of festivals and then a tour to US with Katatonia. So, it’s going to be a little break.

It’s great to have a month long break before the other long tour in the US.

JR: Yeah. When I was younger I was like – Oh yeah, it’s going to be a gig and now I’m more like – yeah, it’s not going to be a gig in one month. We love playing gigs and all the festivals but “New Moon” came about six months ago and we’ve been touring for almost 4 months now. So, it has been a lot of gigs. A little break is good and I’m happy that it’s the summer time.

How was the acceptance of the album New Moon? Are you happy with it?

JR: Yes.

MH: And it seems that the audience seems to like it. It’s all that matters.

JR: It’s definitely a bit different album, some new kind of things there. We always have little bit of new things with every album but still try to keep it sounding like Swallow The Sun. I’m really happy about the album and I’m happy how it sounds like. There are many good live songs.

Regarding the live songs – I’ve always thought about your last album Plague of Butterflies ; it’s basically a 30min. song. It must be pretty hard to play it live?

MH: Yeah, but we have done it here in Finland. But we don’t have that much time in festivals or if we are a support band in the US – we only have limited time. So we can’t play that live often. It’s a little bit of shame because we have done it in Finland and it works very well – one song that is 30min and then the show starts.

JR: But we usually play one part of this song. And I think we will play one part of this song even today but not the full song.

But at first when you started writing it, was it like a concept or a thought to write such a song or did it came naturally in writing process?

JR: It supposed to be a metal ballet. We got an offer to make music for a ballet and I was like yes, of course. They had used our music in their shows before also. I was like – this is a great idea. I can make this long story in this one song. It was ordered from us. But the ballet never happened, there were money issues at the end – surprise, surprise. But we got the music anyways.

I’ve always thought that your music would suit this kind of horror movie or something like it. What do you think about it? Would you want it to be a soundtrack to some movie?

JR: You know, somebody has been using our music in a horror movie or something like this. Many of our songs are set musically in a way that they’d suit on a movie. And actually the lyrics are also quite suitable. Many of our songs have this movie kind of vibe/feeling. At least for me.

What about performing in Estonia?

MH: Of course we want to play in Estonia. We want to go everywhere we can. Well, almost everywhere. It’s not always up to us – it’s up to the organizers and everything connected with that.

Talking about Estonia. Do you know any Estonian metal bands?

MH: Not particualry…

Maybe for example Metsatöll – also under Spinefarm records?

MH: Yeah, I’ve seen them live. We played with them in one festival in Vana-Vigala (Hard Rock Lager – annual metal festival in Estonia). I think it was Metsatöll. But I know we played with them. But I didn’t know they were from Estonia.

Yeah, they were recently signed with Spinefarm.

MH: Yeah, I’ve heard the news.

I’m really happy that Estonian metal is finally breaking out to Europe also.

MH: Yeah, of course, that’s a very good thing.

A lot of bands and artists have released their autobiographies. Will there some day be a Swallow The Sun biography?

JR: Yeah, it’s gonna be and it’s going to be two pages long (laughs).

What kind of bands are you going to see in Tuska yourself?

JR: Satyricon is playing right after us so I’m gonna miss it. But Devin Townsend Ziltoid Project – I’m really waiting for that. What else – of course Megadeth.

Regarding Megadeth. Did you see maybe the Big Four concert? It was brodcasted over satellite to cinemas everywhere?

JR: Yeah, I heard about it. But we didn’t see it. But it would have been great to see it.

So, thank you for the interview. It was great talking to you.

JR and MH: No problem, thank you

Satyricon is a Norwegian black metal band that was formed in 1990. Mainly the band consists of two members – Satyr and Frost. Satyricon are in a way an exception in black metal- they never cared for trends, for the latest fashion in how one is supposed to present oneself and they always abhorred the tried and tested genre stereotypes. The result is a notable career, spanning eight albums that always put the music first, often as a surprise and challenge to the listener. Satyricon’s last album The Age Of Nero came out in 2008.

They also played at Tuska Open Air 2010 and I had a great opportunity to talk with Satyr. Here is what we talked about.

So to start off, how are you?

I’m in a good mood today. I had a really nice time yesterday. This is an off year for the band. It was our second show this year and we don’t have any more shows scheduled. We made a decision in August (2009) to take a touring brake for 2010. We did only two Helsinki shows – one in February in MetalExpo and the second here in Tuska. They were booked before we made a decision to take a break in 2010. So, it’s nice for us that even if we are on a tour-brake we can still do a couple of shows. And when you do a couple of shows it becomes all the more important that the shows you give are very good shows. Yesterday it was a very vigorous crowd, real fighting spirit. I will leave Helsinki feeling inspired.

Your last album was out in 2008 – The Age Of Nero. How do you feel about this album now? Are you happy with it – commercially and music-wise?

For me it’s most important that I’m happy with it musically. Everything else comes as a result of this hopefully. If you make a good record and you do good tours most of the time it will result in good record sales. That’s nice. This record for example was our best selling record in some countries and overall the sales have been very good. Especially taking into account the Internet downloading and everything. I’m very happy with it but then again the most important thing is that we are musically satisfied with The Age Of Nero. Its commercial success is a bonus for us.

You have only one video from this album – Black Crow On A Tombstone. Will there be other videos maybe?

We did some live footage of “The Wolfpack” because we wanted to do a video for that. But I wasn’t really satisfied with the footage. For me it was a logical song to do a video for and I wanted it to be a live video as I felt that Satyricon is a good live band and the exchange of energy between our listeners and the band has become a very important part of the spirit of Satyricon. So, I wanted to do a video where you can see that and feel that. But I wasn’t happy with the camera angles and the footage and it was just the band on the stage. And for me videos like that are boring. I wanted it to be like you where there. For me it’s – if you can’t make it right then don’t make it. But I was very happy with the Black Crow On A Tombstone video.

And regarding Black Crow On A Tombstone – I read in an interview where you said that you got the inspiration for the song when you were writing and saw a crow sitting on a tombstone watching you. Have you had any other such obvious inspirations?

Yeah, many. My Skin Is Cold is based on a dream. What’s interesting about that is that basically in the dream I was hearing the song and I had not yet written the song. It was interesting because I was hearing a Satyricon song that did not exist. And I could hear the melodies and I could hear my own voice singing words that I had not written. I remember waking up that night 4 or 5 in the morning, it was a crazy feeling. Thankfully I was awake enough to understand that it was very important to write down all the words that I could remember and then I fell asleep again and the same dream continued. So as soon as I woke up I called – this was in Tokyo in an hotel room – one of our crew and told them to bring the guitar to my hotel room. And I started to try to play the melodies that I had been dreaming. And this was basically the essence of the song My Skin Is Cold.

Interesting experience.

Yeah, I like to think that these experiences make good stories but the most important thing is if you can use them artistically. For example with the Black Crow On A Tombstone – that was the same thing. It was a very bizarre happening because it was this crow sitting on a tombstone and if I would move somewhere it would sit there and it would move his head, turn away and as soon as I looked at it, it would turn back at me. So wherever I looked or moved it was always sitting still and its look followed me everywhere. It was very much like – I’m watching you. It was a simple thing but still very powerful because it didn’t feel like a coincidence because it didn’t went on like few seconds, it was more like 10min. Then I wanted to tell my colleagues what had happened but then I thought I could use this story artistically instead of just telling it.

I wanted to ask about the music writing process. Is it like you said – you get inspiration from somewhere and start writing or do you go to a studio and think – I’m now going to write something.?

We don’t really write music in a studio situation. It’s different. Sometimes it’s a bizarre thing like “My Skin Is Cold” but with other songs sometimes I could experience something – for example when I wrote “To The Mountains” for “Now, Diabolical” I was up in the mountains and I had spent some hours getting to the mountain top and when you get up there you can see many other famous Norway’s mountains – you look in one direction it’s that mountain or the other directions it’s this mountain. It was very impressive. And after I went back I wanted to write about something that gave me that grand feeling I had on top of that mountain. That’s very hard. But seeing all this made me make other stuff also gigantic.

So I thought let’s try to make a song that has the gigantic feeling that I was seeing and how the mountains made me feel inside. But other times it’s very simple – you just sit and play guitar and you just mess around and all of a sudden you have a melody. Then you think that’s cool and you start working on that. And there’s nothing special about it. It’s just a very good melody. So, it can be very complex or it could be very simple.

I’d say that Satyricon is not a typical black metal band, it’s a bit different.

I think we feel ourselves that we are a band that has chosen a certain lonely path. It’s kind of like – instead of walking in already stomped path we make our own path and leave a trail. That’s been the philosophy of the band. I feel like as we have done that. It’s my impression that the majority of bands and the music community around the world can like us or not but I know we are a unique band. And I also hope that we are an important band.

Whenever I hear Satyricon I can right away say that it’s you playing. Sometimes with other black metal bands you get a bit confused but you have a such a unique sound that I can say definitely that it’s Satyricon.

Thank you. Well, I mean that should be every artist’s goal to create a distinctive and recognizable sound that has your fingerprint on it.

I read somewhere that your album Volcano got the Norwegian Grammy for best “Best Metal Album”. How important are such awards to you?

Not important at all. I mean, the show yesterday with the way crowd responded – that’s the real world. Awards are more like a thing where business partners; colleagues and friends are like “congratulations” and other blablabla. And maybe for the record company sometimes it could be like a good sales argument. Maybe in some records stores – if they don’t want to sell your records, they can say that its records have gotten many awards. And maybe it could make them change their mind. It can help a little bit but for me artistically I know what it is – it’s like 4-5 people in a committee that will decide. And I think that there have been several times where we should’ve won or there have been times when we even weren’t nominated. And other times where we have won award for like something I think is just ok. I think that for any band the real reality check of where you are at is really on stage. If you don’t have people coming to shows that’s bad – but it could happen to any band if the show is badly promoted. But if you have only few people at the show or aren’t getting a response from the crowd then you are doing something wrong. Overall we have good attendance and people respond to our music in a favorable way.

When we do signing sessions like today a lot of the time it’s just people shaking hands saying it was a good show but for every five people there is always someone that will tell me that you’re music means a lot to me personally and you can tell if there are people who are not that shy people, more open people they can talk about how (in what way) it means something more to them. And so it is for me also – some music is enjoyable music but at other times music can almost be like a medicine for the soul and the mind. And for other people who want to be creative music is like art, same as painting or writing. Music can be an inspiration to bring out the best inside of them. I’m very conscious of the fact that our music can have strong impact on people and it’s an honor and I also look about it as responsibility.

Regarding the audience do you prefer smaller more intimate places or bigger venues like this festival?

Like most bands I’d say it’s both. It’s very simple – if you have your own gig everything is prepared the way you want it and you have enough time to prepare for the show. You’re inside, you get the full lights show and everything and you get to be more accurate and pay more attention to detail because you don’t have to do things so fast. All the equipment is yours. But if you play festivals it’s more rentals, like here. In your own show you get very close to the crowd, you know that everyone is there because of you. Then again at festivals, I think Satyricon is a band that is good at playing in the big stages. Sometimes it can be seen when a band comes on to a big stage that they are uncomfortable there. But we are a band who loves playing big stages. It’s not something we are afraid of, it’s more like – bring it on.

It was seen yesterday at your show also. I saw that all the people were going along with the music and were very happy at the gig. And were very satisfied with the gig.

I like a powerful crowd reaction. If you have a good festival like yesterday it’s more massive then a club show. It’s more massive, everything is louder, more people and more hands in the air.

Regarding the live shows I wanted to ask about Estonia. I’m actually from Estonia, not from Finland. And I know that Satyricon played in Estonia in 2006. Do you remember anything about it?

Yeah, I remember it quite clearly. It was far out in the forest and there was a river running right past. My main memory of it was when we were on stage and it got dark I could see the fog coming up from the river. And it was very atmospheric. I remember seeing that on stage. Sometimes in festivals you have a much better view than the crowd because you are on stage, you are higher up and if it’s in nice scenery you can see some special things. I had similar experience one year later in 2007 in Norway when we were playing at a festival near a big lake with huge mountains in the background. The crowd was watching the stage, I was on the stage and it was a full moon and you couldn’t see the mountain but you could see the shadow of the mountain and the moon sending the light down to the lake up to where people were standing. So it was like a good place to play black metal.

So, will you be performing in Estonia again?

These things always come down to the demand. Even if a band wants to come and play in Argentina but if no agent in Argentina wants to book the band then there will not be a show. That’s basically the way it is. Whenever we have offers coming in we are serious with all of them and as far as Estonia goes – we’ve only been offered to play there once and we did it. And since that we never have had an offer. If there is another offer, we’ll do as we always do – we’ll consider it and if it makes sense then we will come. So it really depends on the people who organize the concert in Estonia.

What do you think about the fact that black metal bands have gotten more popular in recent years? For example Satyricon, Dimmu Borgir etc. Have the people changed or has the genre of black metal changed?

I think that black metal has evolved. Good bands are able to evolve musically and to progress, not change but progress and be subject to evolution. I think the most important thing is – I can speak on behalf of our band only – we say that if we keep doing what we do and we do it well and again and again then people at one point will learn to like what we do. It’s like if you do something well and people see it once they can like it but forget about it but if there are enough good bands, good records and shows then more and more people will start to recognize it. The underground genres – like death metal was for death meal people, black for black metal people etc. have evolved because everything has become more exposed. Maybe some people who would only listen to bands like AC/DC and Motörhead start getting into Slayer or Slipknot or whatever. And then maybe they start listening to Morbid Angel or Satyricon or something like that. They make the next step.

Thank you so much for the interview!

You’re welcome!

Megadeth is an American heavy metal band formed in 1983 by guitarist/vocalist Dave Mustaine and bassist David Ellefson following Mustaine’s departure from Metallica. The band has released 12 studio albums, 3 live albums, 2 EPs, 26 singles, 32 music videos, 4 compilations and 1 box set. Megadeth along with Metallica, Anthrax and Slayer form The Big Four – four bands that were trash metal pioneers. Megadeth’s last album Endgame was released in 2009.

Megadeth will be playing in Haapsalu Castle in Estonia the 16 of July, and surely it is going to be a hell of a show! So for all the metal fans in Estonia, do not miss that one! Our collaborator Kadri had the chance to interview their drummer Shawn Drover some days earlier, while they performed at Tuska festival in Helsinki, Finland, and here is how it went:

How are you?

I’m good, thank you. And you?

I’m good also.

To start off – I know you’re playing in Estonia on 16th of July. Since I’m from Estonia I wanted to ask – do you know anything about Estonia?

No, absolutely not. If you want me to be totally honest then no. I’m really excited about going there. I’ve never been to Russia; I’ve never been to Estonia. Actually several countries in Europe I’ve never been to. That’s why touring is also really great – you can experience new places, get to see different countries. I’m really excited about it.

That’s great because you are playing in a very beautiful place.

Really?

Yeah, it should be an awesome gig for you.

Plus it’s the last show. So, it’s going to be fun and I’m really excited about it.

I saw your concert that was broadcasted through satellite. The Big Four concert. How was that experience for you?

Did you see it in the movie theatre?

Yeah, it was an interesting experience.

I’m sure it was, I’ve would have wanted to see it too if I weren’t playing. But it was fun. We all had a lot of fun. Of course during our gig it started to rain as crazy but still it was fun and we had a good time. And of course the big thing we did at the end (performing Diamond Head “Am I Evil?”). That was a lot of fun. And I think the whole thing was a really good experience for me and for the band. We had a really great time.

That’s great. It was seen that even through the cinema you were all enjoying yourselves.

Yeah, you can’t fake that. You can see all these metal bands with smiles on their faces so it was truly great.

What about your last album “Endgame”? How happy are you with it – musically and commercial wise?

We’re very happy with it. In terms of success – the way things are with the Internet downloading and stealing music it can’t be compared to earlier time when records sold platinum – times have changed. That’s the way life is and how the music industry is right now. Bands don’t sell as much as they used do which sucks but its (the “Endgame” album”) very critically acclaimed record, many people really love it, our fans love it. As long as we have fans there actually isn’t anything to worry about. And we get new fans every time. We just keep doing our best and hoping for the best. And the sales have been down for everybody. But I still consider this album a success.

I read that you are working on a new album and it should be out in 2011. Is that right?

We’re talking about it. We have been in a tour mode at the moment but we have started to work on a couple of ideas. But just very few ideas only. During a sound check we recorded a few ideas but we’re going to finish this world tour and then come together and start working out these ideas. We hope it will be out next year but we’ll see how things will go.

You have received many awards. How important are these awards to you?

Well, I’ve never gotten a Grammy award (laughs). I’ve been in the band for six years (since 2004) and we were nominated with the song “Headcrusher” but we lost that to Judas Priest. It’s cool to be recognized by the industry, it’s nice to have been offered awards, to have been nominated. We appreciate it a lot. It’s like 25 years later and Megadeth still gets nominated. So, I think it’s a really good thing. We just try to make good music with every record. People still like us after 25 years so we have to do something right.

You have been to Megadeth since 2004 so you have played mostly to bigger audiences. But maybe you have also played to smaller audiences. Which is a better place to play – to more intimate and smaller places or big audiences like this festival?

I think they are both good for various reasons. When you play at a smaller place it’s fun because you can pretty much almost see everybody and it’s closer. But playing like this festival is fun too because you can see all your friends and other bands. You know the Cannibal Corpse guys are here and we’re very good friends with them. They are all fun for different reasons. The Big Four stuff with Metallica and Anthrax was a lot of fun too.

You said that you are in the band since 2004. How did you become a part of this band?

My brother was in the band first – Glen Drover. They called me up and asked if I wanted to be a part of the band. And of course I said yes. It happened pretty fast, Nick Menza was brought back to the band and for some reason it didn’t work out and so they turned to me. But Glen is not in the band anymore; he got tired of the touring and left the band. So then we got Chris, which is great.

I read also that you play the guitar. Maybe you wanted to be a guitarist in Megadeth?

No, no. Not this band (laughs). This band is way too hard for me. But I did write the song “Headcrusher” with Dave on the guitar. I’ve been playing guitar for years. But I’m not that good to be a Megadeth guitarist. So, I’ll stick to the drums.

Regarding the guitar – many Megadeth songs are featured on Guitar Hero. Have you played Guitar Hero yourself?

No. I suck at that stuff. I’m not good at those games. My son actually is really good at it. But I think it’s cool for kids to get into the music and also a new way of people getting in touch with our music. That’s a good thing if they go and buy the Guitar Hero and actually they are buying our music also. But I’m not good at that and I’ve never played any Megadeth stuff.

I once saw a clip where Arch Enemy’s Michael Amott tried playing his own song in Japan on Guitar Hero and failed.

Yeah, it’s different. It seems that the kids know how to do it but we fail so we let them do it (laughs)

Megadeth is famous for it’s political lyrics (some songs). But how do you feel about politics? Are you interested in politics?

No. Dave’s very intelligent in very different ways and he’s very educated with politics. He writes about many things he knows and politics is just one thing. He’s very educated, very smart and he writes good lyrics. Every time we have a song, the lyrics are very good. Politics is a cool heavy metal thing to write about. It’s good to write about many things not just one subject all the time.

Many artists and bands have released their official biographies. Megadeth doesn’t have an official biography. Could it happen one day?

There is the “Behind The Music” that is on VH1 in America but it went only until 2001. So much has happened after that so I think that at some point the whole story should also be told. We haven’t done that yet – this year has been very busy, we’ve been touring, then the Big Four thing and we also have a DVD coming out and also new record coming out so we haven’t had the time to think about it. At some point it would be nice to do an official video-biography from the beginning until this day. I hope we do that some day but right now we are quite busy. There are a lot of interesting things to talk about.

Did you have time to see some band here at Tuska?

No, we just flew in and pretty much just got here. We saw W.A.S.P for like 10 min. But overall we’ve been here like an hour. But after we are going to see Cannibal Corpse play a bit and afterwards we get on stage. Festivals are weird in a way – sometimes you have a lot of time but other times you have less time, like today we have 2 hours until the gig and we have to practice, do interviews and stuff. It sucks sometimes.

Isn’t it tiring sometimes? Like now we are also doing an interview.

Nah, it’s not. It’s part of what we do. It’s part of spreading the word, it’s part of our job. And I love doing it anyway. It’s better than being a construction worker. And it’s good for the band – fans see that we talk about our stuff openly. I think that interviews are always good because it helps to get the word out and contributes to people coming to our shows. It’s communication and it doesn’t bother me at all, I enjoy it.

I think that nowadays the live shows are important because your music gets more attention than only with the records (with all the Internet downloading and stuff).

Yeah. But the Internet is good for many things also. It’s good to get the word out. You can put this interview to Blabbermouth and the whole world can read it.

Thank you so much for the interview!

No problem. Thank you.

Pictures by Kadri Pärna taken at Tuska Festival.