Categories
Cinema DVD

The Last King of Scotland

{sidebar id=15}The first
feature film of Scottish director Kevin MacDonald focuses on the figure of Idi
Amin
, army officer and president of Uganda between 1971 and 1979. But rather
than being a biopic of the atrocities and actions of the dictator, the film shows
the relationship between Amin, played by Forest Whitaker, and the fictional
character of his personal physician, Nicholas Garrigan (James McAvoy). It is this
relationship what creates a consistent story and takes a glimpse at Amin’s
brutal regime.

The viewer
discovers the character of Idi Amin through Dr Garrigan’s eyes, whose vision of
his friend and leader drifts from sympathy to fear. And so the mood of the film
varies. Considering the subject matter, there is much comedy. The funny first
part of the movie precedes the uncomfortable course of events.

Much has
been talked about Whitaker’s performance, including an Academy Award. But
indeed, his performance is impressive. He steals the show, even though the
screenplay seems to appoint the physician as the main role in the film.
Whitaker recreates the complex psychology of Idi Amin and presents the leader’s
paranoia and egomania.

The Last
King of Scotland
lives up to the hype with a solid narrative and its focus on
people and its relations, putting aside easy clichés.

Categories
Albums Music

Suomipoppia 10

Just look at the names in the list: Apulanta, Hanoi Rocks, Ari Koivunen (the young heavy metal singer, last winner of Finnish idols) Viikate, Liekki, Sunrise Avenue, Uniklubi or Tea gives some good examples of how healthy the hard rock scene is nowadays in Finland, while new names like Hanna Pakarinen (the Finnish representative during last Eurovision song contest) can be compared with other female top dogs in Finnish music scene as Jonna Tervomaa.

As in most of the cases with this kind of albums, Suomipoppia 10 turns to be the perfect album in situations like finding that hit from the Finnish radio that you liked so much and did not know the author, as a present to a friend or relative or as a good first introductory step to get immersed into the fascinating music scene of Finland. Although next time, for avoiding misunderstandings among the buyers, we will have to see if the guys of EMI can make the difference between pop and other music styles.

Tracklist 

1. IRINA Miksi hänkin on täällä
2.  UNIKLUBI Vnus
3.  ARI KOIVUNEN On The Top of The World
4.  PMMP Joku raja
5.
JONNA TERVOMAA Läpikulkumatkalla
6.  HANOI ROCKS Fashion
7.  APULANTA
Viisaus ei asu meissä
8.  YÖ Satukirjan sankari
9.  SUNRISE AVENUE
Diamonds
10. KRISTIAN MEURMAN Lapin kesä
11. ALEKSI OJALA Koditon mies
12. HANNA PAKARINEN Leave Me Alone
13. VIIKATE Ei enkeleitä
14. SIR ELWOODIN
HILJAISET VÄRIT Rouva Fortuna
15. BLOODPIT Wise Men Don´t Cry
16. LIEKKI
Marie
17. KALLE AHOLA Nämä päivät ovat meitä varten
18. JUHA
TAPIO Sitä jotakin
19. TEA Si-si-sinä Mi-mi minä
20. JUKKA POIKA Hän
haluu huussin

 

Categories
Concerts Music

Pleased to meet you

{mosimage}They are
very close to the Steel Wheelchair Tour 2010, but on Wednesday The Rolling
Stones
confirmed once again that they are the majesties of rock and roll. As
usual, the Stones put an extraordinary show supporting an unbeatable collection
of songs that can hide any defects (which are many) of their playing.

 

After a
stormy and cold eve, the good weather and the sun did not want to miss one more
Rolling Stones concert in Finland: a nice summer evening welcomed an audience of
35,000 people at the Olympic Stadium. The band came on stage around 9pm with a
big bang of fireworks and the famous riff of Start Me Up and everyone stood up.
It was a rocking start in which the band adventured into an odd succession of
songs, which included not so popular songs such as All Down the Line, She’s So Cold
or Love Is Strong and ended with the country rock ballad Sweet Virginia.

This was
the most outstanding fragment of the show. All the special effects were put
aside and on stage there was just an honest rock and roll band with all its
virtues and defects. Although focused on the show more than one could have
expected, Keith Richards’ playing is nowadays more erratic than ever, hitting wrong
notes or just stopping playing. But that’s Keith Richards, anyway. Ron Wood showed
some nice slide guitar playing, Charlie Watts played a solid beat as usual and
Jagger held everything together.

{sidebar id=2}
This first
part of the show manifested the curse of the Stones. The tremendous popularity
and the stadium do not seem to allow them trying new things. Of course, they
just do not need it, although the music would improve if they would bother to
dig deep into the band’s repertoire or to explore the country influence that has
been present in many of the Stones albums. Sweet Virginia sounded sweet, with
Jagger laying down some good country vocals. They could easily deliver great
performances like the ones that were compiled in the magnificent Stripped album.

After the
extended jam of Can’t You Hear Me Knocking and Keith’s moment (he sang amazingly
clearly You Got The Silver and he looked amusing hugging his guitar in I Wanna
Hold You
), the concert became predictable: all the hits. But there is not a
better collection of rock classics. It’s the greatest hits of rock and roll. It’s
the time for the visual show: the trip to the back of the stadium with a moving
stage, the giant balloon tongue on the stage… Sympathy for the Devil is the
great “golden god” (or better evil) moment for Mick Jagger. Dressed in a red coat
he stood on top of the stage. But that’s what deserves. He is the best frontman in
rock and so it showed in Helsinki: dancing, running from one side to the stage
to the other, speaking Finnish to salute the crowd…

During the
last segment of the show, the whole band sounded tighter, louder and rocking.
They played a terrific version of Paint It Black that was probably the most acclaimed
song of the entire night. The encore of Brown Sugar preceded the fireworks and everyone
was happy.

There were
no surprised, but again… it’s only rock and roll!

 

Toots &
The Maytals

Introduced
as the greatest reggae band opening for the greatest rock and roll band, Toots
& The Maytals were indeed a good opening act. The Jamaican band played a
short set based on from its first album: Pressure
Drop
, Funky Kingston and even the cover of John Denver’s Country Road. It was
just a pity that a stadium is such a big place for an unknown legend like Toots
Hibbert and his band and the crowd did not pay the deserved attention.

The only bad
thing of the evening was the tight security. One wonders if it is really
necessary to have one security guard for every 100 people during a seating concert, with a
mainly mellow and aged audience. Indeed the security did not help at all to create
an enjoyable atmosphere, especially when the guards would not allow anyone to
dance or move more than ten centimeters from his place. After paying tickets costing up
to 100 euro, the audience deserves some right to enjoy the show and not be
observed and watched like a flock of sheep. After all it was just a rock concert,
not a mob convention.

Categories
Misc News

DMX gigs in Finland cancelled

According to the hip-hopper’s management, DMX (real name: Earl Simmons)
was arrested at the airport passport control for failing to attend a
court session earlier this year and prevented from leaving the United
States until the case has been settled.

The court case involved driving without a driver’s licence, a minor offence, so it shouldn’t take much time to solve the matter, the management reassures.

A replacement concert at Kulttuuritalo will take place at the end of August. The exact date will be announced as soon as possible. 

Ticket holders who can’t (or don’t want to) attend the gig at Kulttuuritalo on the new date can have their tickets refunded at Lippupalvelu ticket offices.

UPDATE:  

Early on 3 August, the organizers of Pipefest in Vuokatti announced that American rapper Cassidy will take DMX's place the same day.  

 

DMX – official website
DMX on MySpace

Cassidy – official website
Cassidy on MySpace

Kulttuuritalo
Pipefest  (in Finnish only)

 

Categories
Misc News

Jann Wilde & Rose Avenue calls it quits

Jann Wilde & Rose Avenue’s first album Tokio Okei made it to No. 9 in Finland’s Official Album List. The band last performed at music festivals Tammerfest in Tampere and Down By The Laituri in Turku. In November 2006, the group did a tour through Austria, Germany and Switzerland.

Earlier this year, the band’s initial two entries into the national Eurovision competition were both disqualified because they had already been widely available for download on the Internet and played during live performances as early as in 2006. The group eventually participated with two new songs that had been put together in a rush and failed to make it to the national finals.

 

Jann Wilde & Rose Avenue’s official website
The band on MySpace

The group in the national Eurovision semi-finals:

"Rock ‘n’ Roll Dreams" (YouTube)
"Cinnamon" (YouTube)

The group’s disqualified entries, performed live:

"Lover Lover Lover" (YouTube)
"Soft Is Selling" (short clip, YouTube)

Categories
Misc News

Sanoma into ticket sales

In Finland, the company’s Finnkino cinema ticket services merged with the event ticket sales services of Lippupalvelu in 2003. Its R-Kioski outlets serve as pick up points for tickets booked via Lippupalvelu.

Besides Finnkino cinemas and R-kioski corner shops, SanonomaWSOY also runs, among others, Finnish newspapers (a.o. Helsingin Sanomat, Ilta-Sanomat, Metro and Uutislehti 100), TV stations (Nelonen and JIM tv), radiostations (Radio Helsinki, Radio Rock and Radio Aalto), cable and internet provider Welho, book publishing companies like WSOY, bookstores including Suomalainen Kirjakauppa, as well as many of Finland’s leading magazines. 

The SanomaWSOY media empire operates in 20 countries.

Categories
Articles Misc

Acting out and about

When I tell people what I do for a living they
are filled with suspicion. A person who acts and writes is to be handled with
care. They can never be quite sure when I’m acting or playing a part. Or
perhaps I’m observing them for material? I probably carry a raw onion in my
handbag should I wish to shed a tear. And the sincere sounding laughter is
possibly nothing but a breath taken to the correct corner of my abdominals as
taught at drama school. Anybody who lies for living should not be trusted, I’m
told. But I defend myself by saying that acting is all about being truthful. 

I can’t lie
to save my life but sometimes I do get tempted to use my acting abilities
outside the stage, often in most dubious circumstances. Like once when I was
chilling out in a London park with a friend. I saw these twins enter through
the iron gates and the urge to act came upon me. They wore identical dark suits
that had seen better days, and, as proper English gentlemen should, sported oak
walking sticks. The choice of the colour purple for both their hair and their
socks suggested an eccentricity I’m hopelessly weak for. With rhythmical steps
they headed towards a park bench and sat down. 

I was
mesmerised. I had no other option but to talk to them. I grabbed my friend’s
camera and walked up to them. I put on my most innocent face and rolled my r’s a bit to create the air of a
foreigner not used to the social code of the British Isles. I told them I was a
photography student from Finland making a project about twins and I asked if I
could take a photo of them. Without hesitation they posed for me in a way that
immediately betrayed a background in show business. 

An hour
later when kissing the twins goodbye I had heard stories from the set of Wizard
of Oz and from singing for the troops in the World War II. They showed me the
steps of the musicals they’d performed in and reminisced about the good old
days with Lawrence Olivier. Before hugging me the very last time they told me
I’d make a lovely actress but advised me to stay well clear of the show
business. ‘It’s a rotten business, it is.’, they said in perfect harmony. 

I did feel
guilty for my deceit. But then again we all enjoyed the little encounter and no
one was harmed during the scene. I think these delightful gentlemen had
pleasure posing for the photographer played by me and I have the photos to
prove that I once acted with these kings of show business, even if the stage
was grass fringe.

Categories
Misc News

Film director Ingmar Bergman dies at 89

Categories
Books Features

Discover Helsinki

This summer two new books about Helsinki were published. They are not the usual tourist guide. The Vice Guide to Helsinki and You Should Be Here! show a cheerful and modern city and discover its untold secrets. Timo Kühn, long time contributor of Vice Magazine, explains to FREE! how the Vice Guide was created.

“You can’t tell what’s amazing when you live there every day

Timo K&uuml

Admittedly, Helsinki is tucked away in a dark, cloistered corner of Europe, emanating a
certain inaccessibility to the garden variety traveler. That is, if it gets any notice at all. Enter Vice Magazine, their Finnish contact, decade long Helsinki inhabitant, Timo Kühn, along with a handful of talented natives, and funding from the Helsinki city Tourist & Convention Bureau,
only after forewarning that the publication must have a free hand.  As to be expected of the notoriously
controversial publication, Helsinki, illuminated through the trademark humor of Vice Magazine, has created some dispute. As Kühn replies though, “when somebody gets stoked or somebody gets
upset, you’re doing something right.”

We wanted to have a different angle on the city,” Kühn expounds.  Indeed. 
The opening article, From a Distance, is written by Helsinki’s adopted children, Dan Boeckner and Alexei Perry from the band the Handsome Furs. What does a foreigner see or think about Finland? Hackneyed, preconceived images of ice hockey and Alvar Aalto?  Fortunately no, rather something more along the lines of good people, art, music, and despite what some in those Mediterranean countries might think, the food is good too. Kühn says, “they fell in love with Helsinki so that’s what we could understand, why the city is amazing. You can’t tell what’s amazing when you live there every day.”

Vice Guide to Helsinki

So rather than the run of the mill tours and landmarks found in a traditional Fodor’s or Lonely Planet book, Vice dishes the dirt on homegrown bands and local favorites. “We thought it would be better than telling more than one story,” Kühn says, “a guideline for finding your own fun. It depends on what kind of interests you have.” Drinking culture, as to be expected, is integral to Finnish life. Even still, “the Kallio piece tells a lot about Finnish mentality,” Kühn explains. There’s a lot more to it than “the harshness of Helsinki or nice bars, cool people.” 

The work that went into the project highlights a lot of the surging talent in these parts that, due to
the generation gap, Kühn laments “never gets utilized.” The intricate map of Helsinki, illustrated by Vilunki 3000, known for his long standing in the music scene and talent for
album cover design, was put together in a shockingly tight six days. Photos from Pekka Niittyvirta, Oskari Nolla, Riku Pihlanto, Miika Saksi, Jan Konsin, Sanna Charles, Joe Yarmush, and Mikko Matias Ryhänen capture Helsinki’s varied landscapes, alternately industrial and beautiful, but mostly the young people driving it forward. As Kühn says, “you cannot underestimate the value of young people’s ideas. There’s a certain group who are talented, but no one gathering everything together to market outward, which is what I tried to do with the guide. Something is starting to bubble.

You Should Be Here!

To cater to Eurovision madness back in May, Bulgaria Magazine put out a comprehensive, sometimes tongue in cheek, guide to Helsinki, You Should Be Here! Though sadly not on as prominent display around town now as then despite the influx of tourists (i.e. people with money who almost guaranteed do not speak Finnish) in the summer time, You Should Be Here! remains a helpful resource even for those who live here year round.

You should be here!

Even if Helsinki appears to be a small city, cracking open this guide unlocks a wealth of places yet untapped and amusing cultural tidbits.  Perhaps you’ve been too lazy to explore your own neighborhood yourself, spending your time in the over-crowded, tourist attractions. 

Maybe you’re the last person in town to not know Kallio is packed with bars, or you’ve been too overwhelmed by the choices to hit any of them up.  Or you want to deck yourself out in Finnish
fashion, but are bored of Marimekko. You Should Be Here! paints a new urban portrait for the city, or at least one from the perspective of what the talented youth of the city are making, breaking, and of course, drinking.  I, for one, was previously ignorant of the refreshing properties of fisu.

While Vice Magazine has put out on even more recently a pocket-sized guide to Helsinki, the Bulgaria book has the practical advantage of depth: more neighborhoods covered, shops, the karaoke taxi, even local history.  By virtue of being put out by Finland’s most offbeat design team, You Should Be Here! looks great as a coffee table book, completing your collection of Taschen, Rizzoli, and even color coordinates with the Phaidon Design Classic three volume set. Most importantly, You Should Be Here! serves as a reminder of why, indeed, we are here.

Categories
Albums Music

Maija Vilkkumaa – Ilta Savoyssa

After her big success with the last studio albums Ei and Se Ei Olekaan Niin, now Maija offers a special present to the fans with this
double album, Ilta Savoyssa (and not Ilta Savoyassa as appeared funnily
in some Internet music shop services) that registers her live performance in
Savoy Theater, Helsinki, during last March gigs.

The album starts with a funny intro, where with good sense of humour
we listen how the managers are looking for somebody to replace Maija since she
does not show up for the concert, and go to ask to…Maija faking being other
person who sings awfully.

Musically, the album consists of 22 tracks where Maija sings one after
another her greatest hits. The atmosphere for singing in Savoy is slightly
different from a summer festival, and Maija takes advantage to explode her most
intimate side in tracks like Mun Elämä or Ei. In general the tone
of the album sounds more pop oriented than usual, with a bit excessive orchestral
flourish accompanying Maija’s voice.

I must admit that I prefer
Maija when singing for wild audiences in student parties or festivals, and she
shows her rock and roll side, usually linked with a wilder behaviour on stage
that makes her connect deeply with her audience. Songs like Kristiina does not sound as powerful in this live album as they should be, but
nevertheless, Maija’s singing skills, with her soulful voice,
work well enough to delight our ears and it is exciting to hear once more
performing Satumaa Tango as a big end to the album.

A slightly different album that shows new features in Maija’s
repertoire. Recommended for those who are already fans. For the new ones, try to
approach the older albums first.

Categories
Misc News

Bloodpit on “comprehensive break”, cancels all gigs

‘Last Friday's gig at Sunset Beach Party, which lasted only two songs,
proved that the mental health of the members of the group is no longer
in condition required for touring,’ the band writes.

The decision for the long break was taken more precisely because of singer Matthau Mikojan’s substance abuse and mental problems.

'First and foremost everyone must be in control of their own lives, and
at the moment the band's vocalist's personal problems and his need to
mess or clear his mind with whatever substance happens to be at hand
both affect the actions of the entire group to excess,' the frank statement continues on Bloodpit's MySpace page.

Earlier during the week, Bloodpit had already cancelled all the rest of the week’s gigs in Finland ‘due to sudden illness’, announcing that more information would follow.

The band from Tampere had scheduled a European tour for late autumn, with dates in Germany, Russia, Switzerland and Austria, all of which now won’t take place.

The members of the group are unsure about Bloodpit‘s future. ‘We [will] return to the stage as a band once we, as a whole, are in a condition worthy of our audience. Should this never happen, we reckon that for us, this was it,’ says the statement.

Bloodpit have so far released two albums: Mental Circus (2005) and Off The Hook (2007). Last month (7 July) the group opened for Mötley Crüe at Helsinki’s Jäähalli (Ice Stadium).

 

Links:

Bloodpit’s official website

Bloodpit on MySpace

The group members last year in a TV interview on American music channel IMF (YouTube)

Videos of some of Bloodpit’s la(te)st live performances (YouTube)

 

Categories
Misc News

Espoo Ciné programme made public, ticket sales have started

The programme features about 90 films in total. Other highlights include Mika Kaurismäki’s latest music documentary Sonic Mirror, Juan Carlos Fresnadillo’s 28 Weeks Later, and the premier of the long awaited drama Colorado Avenue by Finnish director Claes Olsson.

The festival will also see the first screening in Finland of Destino, the unique collaboration between Salvador Dalí and Walt Disney.

Espoo Ciné XVIII International Film Festival
21-26 August
Espoo Cultural Centre, Tapiola, Espoo

Website: www.espoocine.fi
 

Categories
Concerts Music

Metal veterans look back

{mosimage}Metallica, the elder statesmen of trash metal, misters Hetfield, Ulrich, Hammett
and Trujillo, put up a solid show at
Helsinki Olympic Stadium, the second to last gig of their Sick of the Studio
'07 tour. Once again the middle-aged metal gods proved their mastery of
machine-gun-riffs and face-melting licks in the face of a worshipping crowd of
metalheads. Hard core fans and casual enthusiasts each got their fill from a
set which combined the best parts of Metallica's long career: the early days'
trash metal genius of staccato riffs and breakneck transitions, and the more
mainstream metal from 1991's Black Album

onwards.

The band seemed to be in good spirits and appeared happy to
be playing older songs. Fan favourites from the past dominated the setlist,
only a few post-Black Album songs were played, and none from 2003's St. Anger. Instead, the first  three albums were well represented. Rob
Trujillo, who wasn't around when most of the songs were first composed, seemes
to have reclaimed his place in the ranks of the Metal Militia. Following Trujillo's
bass solo the band payed homage to deceased original bassist Cliff Burton by
launching into Orion, a meandering
instrumental bash-a-thon written by Burton. The main portion of the set finished
off with the crowd chanting to a thunderous Master
of Puppets, followed by a raging Whiplash.
The band  returned to deliver the
necessary crowd-pleasers from Sad But
True to One
, this time with added
fireworks and pyrotechnics to boot. Cheap tricks, sure, but who cares, they
worked. With Enter Sandman out of the
way, the band came back once more to play Am
I Evil?
and finally obliterated the venue for good with Seek and Destroy.

It's good to see Metallica at ease with their past and
performing with such energy. With a set leaning towards their early career,
they sounded – in a good way – like they might as well have performed in a
dingy basement club. Still, mr. Hetfield is a enough of a showman to grab
an  audience, and he has the skill to
bring out the dramatic arc in a byzantine metal-oddyssey. While the concert
offered nothing really new, it was an entertaining and well executed
cross-section of the career of one of the most important metal bands ever.

On a side note, certain Finnish tabloids have been following
HIM's ordeals as Metallica's
warm-up act, and apparently for a reason. They were just all wrong for the
situation. Sandwiched between first opener Diablo's
aggressive piledriver metal and the colossal main act, HIM's synth-heavy and
melodic rock seemed completely out of place. The band's poor performance didn't
help either, or the fact that a large portion of the audience was still queuing
to the stadium during the opening acts. Then again, it was hardly a total
disaster: at least people applauded politely after every song.

 This show and all the shows of the tour are available for purchase and download at:
 http://www.livemetallica.com 

 

SETLIST

15 July 2007 – Olympic Stadium, Helsinki 

Creeping Death
The Four Horsemen
Kirk Doodle #1
Ride The Lightning
Disposable Heroes
Kirk Doodle #2
The Unforgiven
And Justice for All
The Memory Remains
No Leaf Clover
Rob Doodle
Orion
Fade to Black
Master Of Puppets
Kirk Doodle #3
Whiplash
Sad But True
Kirk Doodle #4
Nothing Else Matters
One
Enter Sandman
Am I Evil?
Seek and Destroy

Categories
Cinema DVD

Friends in love

{mosimage}Based on Zoe Heller's book, one of
the most exciting female acting duels that you could imagine has arrived on DVD:
Barbara vs. Sheba,
or what is the same, Judi Dench vs. Cate Blanchett, both winners
of the Academy Award in previous years. Notes on a Scandal, directed by Richard Eyre,
introduce us into a normal English school scenario where two different
professors will become close friends, linked in their destinies in a fatal way:
The old and grumpy Barbara trying to guide the young and beauty Sheba.

 

 

{sidebar id=9}Cate Blanchett really looks astonishing in
the film (not a surprise for many since more than one fell in love with her
ambiguous Galadriel during Lord of the Rings, even rejecting Arwen’s
charms). The friendship relation will became vicious when Barbara discovers
that Sheba, who is married and with a daughter of 16 and a son with Down’s syndrome,
is having sex relations with a 15 years old pupil from her school. But more
than judging the morality of the actions by the professor, the plotline is
aimed at showing how dangerous can be to share secrets with the wrong friends. Both
actresses are superb in their roles, but I was expecting a bit more of “punch”
for the last third of the film.

The role of the young boy is pretty much
obliterated in many parts of the movie, and the shared scenes between Dench and
Blanchett turn to be a bit boring at the end. The best moments usually happen
when there is a third guest between the two main characters, as when Barbara is
sharing dinner with the family (mention apart for the great job of the betrayed
husband Bill Nighy), or in the erotic scenes with Blanchett and the
young Andrew Simpson (who made his debut here while having to assist to
his own normal lessons at school).

There was quite a polemic when the film was
about to be released about the sex scenes in the British media, but from my
point of view, that part has been treated with extreme delicacy. In any case,
if you want to find the “leitmotiv” that leads to the female characters in the
film, think more about loneliness and boredom than about lust.

 

Categories
Concerts Music

Where is Sly?

{mosimage}One of the
big days at Pori Jazz 2007 was marked by the performance of the reunited Sly
and The Family Stone
. In 2006, the reclusive Sly Stone decided to come back and
hit the road again. After years of retirement, drug abuse and erratic behaviour,
there was a big expectation (and doubts) of what the seminal soul, funk and
rock combo could offer.
 

 

A jam,
which served as a sound check, and the hit Dance to the Music opened the show on Friday night.
No sign of Sly Stone on stage yet. Perhaps several people at that time wondered
if the artist was even in Finland. But soon, he is introduced and Sly appears
on stage in an oversized hoody, a baseball cap and dark glasses. He joins the
band playing keyboards, he sings a little bit with an old and worn out voice
and after a couple of songs he leaves the stage promising that he would be back
after a while.

That while
was a bit long and meanwhile the band played most of the Family Stone hits. To
make things more complicated, showers started and the audience rushed to put
the raincoat on. Ironically the band was playing Hot Fun in the Summertime at
that moment. This is Finland, indeed!

The Family
Stone delivered the classic funk sound that made it between 1969 and 1972 be
one of the most of exciting live acts in America. But those days are long gone
and without several original members (specially missed is the presence of
bassist Larry Graham) the band plays a correct and safe show supported by one
of the most impressive repertoires a band can have.

Little sister
Vet Stone and Rose Stone’s daughter Lisa Stone, who showcased the most powerful
and beautiful voice of the night, took lead vocals during the most part of the
night with Skyler Jett doing Sly’s part when the old man was not around. In the
group’s family tradition, Sly’s daughter also made a brief appearance for a
short rap that will not be the most memorable moment of the festival.

The band
leader came back to the stage and sang a touching Family Affair, which was a
highlight the show. He also stayed for I Want to Take You Higher, but half way
the song, he left the stage once again with the promise of coming back,
although he never did. The total time of Sly on stage in Pori did not exceed 15
minutes.

The show
finished with an extended Thank You (Falettinme Be Mice Elf Agin) that was a
crowd pleaser, although a large part of the audience already had already left
because of the rain. There was no encore and the final result of the show was a
bit under par. With no rain, a smaller place and above all, a more inspired and
motivated Sly Stone, the performance could have been legendary. But it wasn’t.

Front page photo by Maarit Nissinen / Pori Jazz